Margie Hildreth is a watercolor artist who loves the way the medium moves and blends.  It is a medium that requires a collaboration of sorts — a dance between artistic control and then allowing the serendipitous play of water and pigment to surprise and delight.  She uses vibrant color to show the contrast of light and shadow and likes to drop in unexpected colors or splatter to evoke a sense of casual fun in her paintings. 

Christy Stallop is a Texas-based artist working primarily in oil paint. Her work is rooted in storytelling, memory, and a strong sense of place. Through bold compositions and symbolic imagery, she explores themes of identity, nostalgia, and cultural heritage. Stallop often focuses on animals, everyday objects, and still life arrangements that feel both personal and universal—quiet moments that carry emotional weight, humor, or social commentary.

Diane Fechenbach’s artistic passion is dramatic light and shadow; and clean, saturated color.  She is particularly interested in the effect of light on snow, trees, rocks and water.  She works in a variety of media, including pastel, oil, and watercolor. Her subjects are varied, but she particularly enjoys painting en plein air.

Sue Wipf worked on her parents' farm and spent time pondering the skies and the beauty around her. That experience continues to influence her values and her perspective on the world around her.  Her love for nature is expressed in her plein air paintings and studio work.  The artworks of Vermeer, Sargent, Turner, and Sorolla have influenced her.  She has studied at the Schroeder Studio and taken workshops from other master artists.

Lisa Rico loves the immediacy of pastels and richness of the color possibilities achievable with them.   The face is her favorite subject — specifically, the faces of people from other cultures and countries encountered on her travels.  Rico also enjoys featuring local flora and fauna in colorful paintings as well as doing sanguine sketches and quick studies.

Kristin Federchuk a self-taught artist.   She practiced drawing by studying the works of artists she admired. She feels that her art career is what she was created to do.   She experiences great joy and excitement as she brings each painting to its ultimate fruition.  Federchuk’s subjects are varied, preferring to be free to explore and paint the beauty around her.

 Sharon Grubbs finds inspiration in people and places throughout North Carolina’s Piedmont region. Her paintings range from traditional rural landscapes and images of local farmers, representing the area’s strong agricultural roots, to works featuring members of the many ethnic groups who have introduced new cultures to the area, even as they become an integral part of it. 

 Carol Heiman-Greene is inspired by all aspects of nature and all of her paintings are based on personal reference.   Life and Light are central to Carol’s work.  Her joy comes from capturing even the smallest of moments to those that are the most dramatic that nature has to offer.

Barbara Nuss is an award–winning oil painter of landscapes and still life scenes.  She received her Bachelor of Fine Arts degree Syracuse University, the Schuler School of Fine Arts in Baltimore.  She began her art career at a graphic artist and illustrator. 

Nuss is the author of the book, Secrets to Composition.  She taught still life and landscape painting at her atelier from 1983 to 1996.  She continues to share her skills through plein air workshops and atelier teaching.

Christine Obers is a realist artist working in pastel, colored pencils and oils.  She creates beautifully sensitive paintings of animals, people, landscapes and still life.  She likes to use photographs for her initial inspiration.  She then edits and enhances them to create pleasing compositions that create rich emotional connections with her subjects.

Sharon Markwardt is a life-long artist with a Fine Art degree and a Biology minor.  She grew up in Texas, the daughter of an Artist and an Engineer, and now enjoys an artist's life in Santa Fe, NM. The colorful style for which she is known emerged in the last decade or so, and paralleled her entrance into horsemanship, with its associated injuries and challenges. She laughingly credits her mare with “throwing her into western art!" since her colorful style emerged after a fall. She had the courage to get back in the saddle, and eventually learned the value of calm assertiveness. A new boldness entered her art, and she moved from watercolor to oils.  Her color perception altered, as did her subject matter: stronger, brighter, more Western.  Sharon enjoys pushing her colors and designs while retaining realism and attention to detail, injecting humor whenever possible.

Elizabeth Rouland O'Dell earned her B.A. in art from the University of California, Santa Cruz, graduating with honors in 1991.  She worked with printmaking techniques including intaglio etching, drypoint, and monotypes during her college years. More recently, she has returned to focus on oil painting, and she is ever enthralled with the challenge of interpreting the world around her through color and texture. 

Rose Irelan is inspired by the diverse landscapes of the coast, desert, and mountains. Her paintings capture the energy and changing light of the natural world, using expressive brushwork and a deep appreciation for color. Whether painting the rugged shoreline, the quiet beauty of a desert morning, or towering mountains, she strives to convey the feeling of a moment rather than just a scene.

Lori Cusick loves to create art of the land.  Her style is colorful and stylized.  She received her Bachelors of Fine Art degree from the Pratt Institute in Brooklyn,  New York.

Her process begins on location with oil paints and canvas in tow.  Leaving the studio behind and working in the great outdoors provides and endless source of inspiration. 

Lani Browning, an award winning plein air oil painter for over twenty– five years, is known for her distinctive skill with colors, and the quiet elegance and soft tonalism of her paintings. Her travels around the country and abroad, and her love of the land have contributed to her focus on the landscape. Her years of experience show in her confident and mature brushwork. 

Ashwini Bharathula (b.1984) is a representational fine artist specializing in oil painting based in Chandler, Arizona.  She paints primarily alla prima in oils and prefers to paint directly from life.  Her subjects span flowers, portraits, and landscapes. 

Art has been a lifetime passion for Tricia Bass. Her love of the great outdoors and particularly the Rocky Mountains, has led her to a career as a plein air painter.

Denise Horne-Kaplan started her professional career in 1983.  She has participated in exhibits and juried shows — over 74 national and International juried shows and eight solo shows to date.  She is in six international publications, including being a featured centerfold Artist with thirteen paintings in the 1999 Winter Issue of Watercolor magazine.  Horne-Kaplan is a signature member, one of only 130 in the country, of the Miniature Artists of America. 

Carolyn C. Bell, an award–winning Texas artist, fell in love with the southwest’s vast landscape upon moving to Texas at the age of eight.  Her love of the southwest landscape has been translated into many artworks that depict the myriad colors, rocks, and foliage that has caught her eye and heart.  Southwestern Spanish architecture and the Spanish missions of Texas and New Mexico are also cherished subjects, along with florals, wildlife and still life.

My “Mottled Art” – Equine art developed since 2002 in my new “Mottled” style that merges abstract and expressionism with a touch of realism.
The subject is created on a colorful abstract background to express feelings, often shown as a close-up,
with special attention to the eyes and focusing on specific moods and composition. Often with secondary transparent image/s to show movement or specific scenario.
In my paintings, I don’t intend to replicate photo-realistic objects, but to capture the utmost uniqueness of life.
Illustrating my subjects, I often pay no attention to exact shapes, textures, or real colors and emphasize just on a small fragment,
sometimes a very tiny detail, in order to insinuate an idea. That approach leads me to concentrate on what I feel and not what I see or know about the subject. Also, it helps me to effectively use visuals to depict a story about my subject.